Chapter 17 | Page 2b: The Ol’ Battle Ax

The #GuigarChristmasCountdown Rolls On

Every day until Christmas, I’m releasing a brand-new holiday single-panel gag — and this year’s batch has already included:

  • Overworked elves

  • Malfunctioning snowmen

  • Questionable reindeer behavior

  • And Santas who are absolutely phoning it in

Next week’s cartoons keep the absurdity rolling. If you’re counting down to Christmas with me… buckle up. We’re not even halfway to the weirdest ones. Catch them on BlueskyPatreon chat, or the Evil Inc Subreddit.

TRANSCRIPT

Panel 1 (Later)
Hailey: “Come on, Rose! This is a big opportunity for me! Just tell me what Cap’s ‘usual’ is!”

Panel 2
Rose (from inside the storage closet): “Fine. He loves chicken soup — extra crackers — and a tall lemonade.”

Panel 3
Rose: “Say… do you think you could open the door now? There’s not much air in here.”

Panel 4
Hailey: “If you look in the corner, you’ll see an old battle ax.”

Panel 5
Hailey: “There’s no battle ax in— Oh.”

Panel 6
SFX: KRAKK

Panel 7
Rose (calmly): “Thank you!”

Black Freighter Redux

Tales of the Black Freighter Redux

This belongs directly under the heading of “Why didn’t I think of that?”

[ComicBookResources] “The kid reading the pirate comic at the newsstand” is one of Dave Gibbons’ most famous images from “Watchmen,” yet the “Tales of the Black Freighter” portions themselves are rarely discussed. Naturally, due to Moore’s scheme of juxtaposing only short passages against the larger story of “Watchmen,” the pirate tale is generally thought of as a powerful narrative device; a comic-within-a-comic, but not really a remarkable story in its own right.

Well, just when you thought there was nothing left to say about “Watchmen,” … Oakland, California’s Steven Johnson … excavated and reassembled all that exists of Alan Moore and Dave Gibbons’ “Tales Of The Black Freighter: Marooned” into a complete and uninterrupted narrative on the Web.
Read more.

Johnson’s work can be read here. He imagines how that story would have been told in its entirely. He uses only the relevent panels from “Watchmen” — with the non-relevant dialogue removed. Said Johnson, “”Dave Gibbons did spectacular work and I can’t even begin to guess what he’d put in the ‘missing’ panels.” Those panels are blank with text only.

I don’t know writer Alan Moore’s reaction, but Dave Gibbons wrote Johnson to say “nice work.”

Indeed.