In today’s Evil Inc, Yazmine Velour pitches a viral strategy built entirely on first-date tension — because nothing hooks an audience like awkward chemistry and unresolved feelings. Unfortunately for Captain Heroic, his real-life situation may be trending in a very different direction…
Commissions: Get on the List
Got a scene in your head that you need to see brought to life?
I’m opening a limited number of commission slots — first come, first served. (And vice versa)
Patreon backers get first crack, then I’ll open whatever remains to the public.
Get in touch here — https://www.evil-inc.com/contact/
If you’ve ever wanted to direct your own Evil Inc moment… this is your shot.
November Collection: No Subscription Required
Want to binge a treasure trove of exclusives without committing to a monthly membership?
Now you can grab the November Collection right here: go.evil-inc.net/Nov2025
Inside:
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Evil Inc After Dark #79
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A Monster Girl Poll
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No Nut November cartoons
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The EiAD Double Crossed eComic ( (46 pages)
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A sneak peek at the upcoming Udders book
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And spicy commissions featuring Cassie Cruz, Miss Match, and Captain Scarr
Dip a toe in… and if you like what you see, there’s a whole ocean waiting.
Transcript
Panel 1
Caption: “A little later…”
Captain Heroic: “I can’t believe we’re having this discussion!”
Panel 2
Yazmine Velour: “The video of you and the waitress did monster numbers! —but we need to come back with something big before we miss our moment!”
Panel 3
Yazmine (off-panel): “I was thinking about a public break-up scene…”
“—really torture your shippers!”
Panel 4
Captain Heroic: “Break up?? We’re not even dating!”
Panel 5
Yazmine: “I like the way you think! There’s no tension like first-date tension!”
Panel 6
Captain Heroic (thinking as he looks at his phone): “There isn’t? Try last-date tension.”
Phone text from Miss Match: “We need to talk.”
Lisa Kirby and John Morrow Discuss “Fantastic Four: Lost”
Comic Book Resources has a very interesting interview about “Fantastic Four: Lost” — a lost episode of FF by Stan Lee and Jack Kirby — with Jack’s daughter and a noted Kirby historian.
[COMIC BOOK RESOURCES]
“From what I understand, my father submitted art that was intended for FF # 102,” [Lisa] Kirby explained. “Stan Lee apparently felt at the time that this work could not be used. The artwork was shelved for a few months, and then parts of it resurfaced for FF # 108. It was during this time my father had turned in his resignation at Marvel and moved on to DC.
“This project was brought to my attention by John Morrow,â€? continued Kirby. “Tom Brevoort had contacted him about his idea of putting this ‘lost’ issue together. John then contacted me, and filled me in on the origin and history behind the lost pages. He also mentioned that Tom would like to get Stan Lee to do the dialogue and possibly Joe Sinnott to ink. I had to say I was pretty intrigued about the idea.”
The aforementioned resignation is significant according to Morrow, who said that after Jack Kirby left Marvel, things changed quite a bit. “Jack soon after turned in his final FF story (which ended up going in #102) along with his resignation from Marvel, and the Marvel Age effectively came to an end,” explained the historian. “Without Kirby at Marvel, the company really took on a different feel, and Stan himself retired from writing comics soon after. The ‘House of Ideas’ was never the same after that. So this final, reassembled story is one last look at the greatness that was the 1960s Marvel Age of Comics.”
[COMIC BOOK RESOURCES] “From what I understand, my father submitted art that was intended for FF # 102,” [Lisa] Kirby explained. “Stan Lee apparently felt at the time that this work could not be used. The artwork was shelved for a few months, and then parts of it resurfaced for FF # 108. It was during this time my father had turned in his resignation at Marvel and moved on to DC. 
