At Evil Inc, even labor negotiations can spiral out of control — especially when “hard bargaining” takes on a whole new meaning. Cassie Cruz just realized that the conference room she prepped for Dr. Muskiday’s… unconventional solution… is already booked for a high-stakes union negotiation. Unfortunately, it looks like Doctor Threat and the henchpersons may have already reached an agreement.
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Transcript
Panel 1
Cassie Cruz (angry):
“We are NOT having an orgy at our desks!”
Dr. Muskiday (calmly defensive):
“Of course not! I stocked the conference room with mattresses and lube.”
Panel 2
Cassie Cruz (panicking):
“The conference room?! Doctor Threat is scheduled to negotiate a new contract with the henchpersons’ union in there!”
Panel 3
Cassie Cruz (looking toward a slightly open door):
“Where’s Doctor Threat?”
Dr. Muskiday (matter-of-fact):
“I believe that’s him in the middle of — erm — ‘collective bargaining.’”
(Sound effects from behind the closed conference room door:)
“Hhh hhh”
“Plap Ngh Plap Plap”
“Hngh hhh”
“mmf mmf mmf”
Detailed Alt Text
A three-panel comic set inside an office at Evil Inc.
Panel 1: Cassie Cruz, a professional woman with short brown hair, red glasses, a white blazer, and a low-cut yellow top, stands beside her desk looking furious. A small pink “emotion cloud” with a skull icon floats near her head, indicating anger. She shouts that they are not having an orgy at their desks. Standing nearby is Dr. Muskiday, a short humanoid with a fly’s head—large red compound eyes, small body, and lab coat—who calmly explains that he already prepared the conference room with mattresses and lube.
Panel 2: Close-up on Cassie clutching her head in alarm. Her expression is wide-eyed and panicked. She exclaims that the conference room is supposed to be used for an important union negotiation between Doctor Threat and the henchpersons’ union.
Panel 3: Cassie and Dr. Muskiday stand in a hallway facing a slightly open conference room door. Cassie asks where Doctor Threat is. Muskiday gestures toward the door and awkwardly suggests that Doctor Threat is inside, in the middle of “collective bargaining,” implying something sexual. From inside the room comes exaggerated, comic-style sound effects indicating vigorous activity: heavy breathing (“hhh hhh,” “hngh”), rhythmic “plap” noises, and muffled sounds (“mmf mmf”). The implication is that the union negotiation has devolved into an orgy inside the conference room.
Johnny Hart, creator of “B.C.� and “Wizard of Id,� dies at 76
[Associated Press]
Cartoonist Johnny Hart, whose award-winning “B.C.� comic strip appeared in more than 1,300 newspapers worldwide, died at his home on Saturday. He was 76.
“He had a stroke,� Hart’s wife, Bobby, said on Sunday. “He died at his storyboard.�
“B.C.,� populated by prehistoric cavemen and dinosaurs, was launched in 1958 and eventually appeared in more than 1,300 newspapers with an audience of 100 million, according to Creators Syndicate, Inc., which distributes it.
After he graduated from Union-Endicott High School, Hart met Brant Parker, a young cartoonist who became a prime influence and co-creator with Hart of the “Wizard of Idâ€? comic strip.Hart’s work several decades ago was brilliant. Over the past several decades, though, he was more known for heavy-handed religious evangelism. Still, the passing of a legend is sad.
As long as we’re talking about death, howabout another nail in the coffin of syndicated comic strips? They’re already planning on running both Hart strips past his death.
[
MSNBC]:
Richard Newcombe, founder and president of Creators Syndicate said “B.C.� and “Wizard of Id� would continue. Family members have been helping produce the strips for years, and they have an extensive computer archive of Hart’s drawings to work with, he said.This is simply one more step to the obvious outcome: One day every last newspaper comic will be done by dead people.
Something to think about the next time a syndicate editor or a newspaper publisher, palms raised upwards with a shrug, bemoans dropping circulation rates and and decries an apathetic readership.
Newcombe, the same gent who just told us that Hart’s family will be using
an extensive computer archive of Hart’s drawings to produce the strip, has posted a memorial to Hart in which he
says that Hart
spoke . . . about how proud he was of his two daughters and two grandsons, all of whom have been involved with both comic strips over the years. I see in them his wit and remarkable sense of humor, as well as his genius for simple but beautiful artwork.Can one inherit a genius for scanning simple-but-beautiful artwork?