Chapter 17 | Page 2b: The Ol’ Battle Ax

The #GuigarChristmasCountdown Rolls On

Every day until Christmas, I’m releasing a brand-new holiday single-panel gag — and this year’s batch has already included:

  • Overworked elves

  • Malfunctioning snowmen

  • Questionable reindeer behavior

  • And Santas who are absolutely phoning it in

Next week’s cartoons keep the absurdity rolling. If you’re counting down to Christmas with me… buckle up. We’re not even halfway to the weirdest ones. Catch them on BlueskyPatreon chat, or the Evil Inc Subreddit.

TRANSCRIPT

Panel 1 (Later)
Hailey: “Come on, Rose! This is a big opportunity for me! Just tell me what Cap’s ‘usual’ is!”

Panel 2
Rose (from inside the storage closet): “Fine. He loves chicken soup — extra crackers — and a tall lemonade.”

Panel 3
Rose: “Say… do you think you could open the door now? There’s not much air in here.”

Panel 4
Hailey: “If you look in the corner, you’ll see an old battle ax.”

Panel 5
Hailey: “There’s no battle ax in— Oh.”

Panel 6
SFX: KRAKK

Panel 7
Rose (calmly): “Thank you!”

Trever



Greystone Flashback: Trever


Today’s comic features a cameo appearance by Trever, who started as an intern at Greystone Inn and worked his way up to assistant producer.

What you may not know is that I considered spinning Trever off into his own strip. I had been doing Greystone Inn for a couple years (and was quite pleased with its progress), but I still harbored interest in becoming syndicated at that point. I knew the syndicates would never accept GI, but after reading an article about a new demographic group — Boomerangers — I thought I had a good concept for a strip that a syndicate might accept. Boomerangers, the story said, were kids who graduated college and then moved back in with their Baby Boomer parents. Seeing the number of comics that the syndicates launched that seemed to be based on nothing but demographics, I decided to pitch a strip based on Boomerangers.

So, I produced a four-week storyline that featured Trever and his decision to move in with his parents after graduating college. I packed it up and shipped it off to all of the major syndicates, confident that I was finally ahead of the curve. I had my demographic, I had my characters, and I had my cartooning up to the level that I thought I could attract the attention of an editor.

Needless to say, I was rejected all around.