Fairmount City has faced plenty of supervillains before. But this may be its first livestreaming supervillain.
After losing her brief burst of social-media stardom, Hailey re-emerges with a new look, a new name, and a dangerous new relationship with engagement metrics. Now she is Countess Influencia — the Validation Vampire — and every heart, like, and notification seems to make her stronger.
Fairmount News Network tries to cover the attack, but even the news crew can’t stop checking her feed. As hearts start streaming from phones across the city — and around the world — it becomes clear that this crime spree is no longer just a local story.
The world has met Countess Influencia.
And she would very much like you to smash that “Like” button.
Transcript
Panel 1
At the Fairmount News Network studio. Someone off panel whispers, “Psst! Ms. Takahaski! You’re on the air!” Hana Takahaski looks up from her smartphone and says, “Oh! Umm… We’ve got breaking news!”
Panel 2
Hana says, “We’re getting live reports of an attack on the downtown area.” A stream of hearts begins floating from her phone.
Panel 3
The scene widens. Hana is still on her phone. The cameraman is also on his phone. Streams of hearts flow from both phones and from other unseen people in the studio. Hana says, “She may be the first supervillain to livestream her own crime spree! Moreover…” Then, distracted by her phone, she says, “Hold on…” Her phone displays the text: “YAS, Queen!”
Panel 4 (inset)
Exterior view of the Fairmount News Network building. Several streams of hearts flow outward from inside the building and from the street below. Hana says, “Moreover, while Fairmount City is her current target, she has already taken the whole WORLD by storm!”
Panel 5
Hailey, now transformed into Countess Influencia, floats above the city as streams of hearts flow directly into her body. She says, “Look upon Countess Influencia and despair!” Then, in smaller type: “And don’t forget to smash that ‘Like’ button and subscribe!”
Alt text
A five-panel Evil Inc comic introduces Hailey’s new supervillain persona, Countess Influencia. At Fairmount News Network, anchor Hana Takahaski is caught looking at her phone just as she goes on the air with breaking news about an attack downtown. As she reports, red heart icons begin floating from her phone. The scene widens to show the cameraman and others in the studio also absorbed by their phones, with streams of hearts flowing upward. Hana reports that the villain may be the first supervillain to livestream her own crime spree, then gets distracted by a message reading, “YAS, Queen!” Outside the Fairmount News Network building, heart streams pour from the building and the street below. In the final panel, Hailey floats above the city in her new vampire-inspired outfit as Countess Influencia. Streams of hearts flow into her body as she declares, “Look upon Countess Influencia and despair!” She adds, “And don’t forget to smash that ‘Like’ button and subscribe!”
Greystone Flashback: Trever
Today’s comic features a cameo appearance by Trever, who started as an
intern at
Greystone Inn and worked his way up to
assistant producer.
What you may not know is that I considered spinning Trever off into his own strip. I had been doing
Greystone Inn for a couple years (and was quite pleased with its progress), but I still harbored interest in becoming syndicated at that point. I knew the syndicates would never accept
GI, but after reading an article about a new demographic group — Boomerangers — I thought I had a good concept for a strip that a syndicate
might accept. Boomerangers, the story said, were kids who graduated college and then moved back in with their Baby Boomer parents. Seeing the number of comics that the syndicates launched that seemed to be based on nothing but demographics, I decided to pitch a strip based on Boomerangers.
So, I produced a
four-week storyline that featured Trever and his decision to move in with his parents after graduating college. I packed it up and shipped it off to all of the major syndicates, confident that I was finally ahead of the curve. I had my demographic, I had my characters, and I had my cartooning up to the level that I thought I could attract the attention of an editor.
Needless to say, I was rejected all around.
