Dr. Muskiday tries to turn feelings into data. His emotion-reading technology translates emotions into glowing clouds. As the experiment spirals, it becomes clear that understanding emotions is much messier than measuring them.
Double-Dog Dare!
If you’re looking for something excellent to read, my friend Dave Kellett has a brand-new Kickstarter live right now. It’s packed with never-before-printed comics and is absolutely worth checking out! https://go.evil-inc.net/Double-D
Transcript
(Panel 1)
Holo-Clone Miss Match: Oh, Musky! I’m so PROUD of you!
Dr. Muskiday: You are?
(Panel 2)
Holo-Clone Miss Match: Sure! And I’ll prove it to you.
(She sprays Dr. Muskiday’s “Project: SMILE” mist onto her chest with a “Pft Pft Pft.”)
(Panel 3)
Holo-Clone Miss Match: That’s odd. I’m definitely experiencing a twenty-five percent increase in admiration.
(He looks at her as she stands confidently in front of him.)
(Panel 4)
Dr. Muskiday: (sighs) I know. I wrote your approval algorithm.
(He buries his head in his hands.)
(Panel 5)
Computer (stylized): Disappointment detected. Initiating emotional buoyancy protocols.
(She stands looking at the dejected Muskiday.)
(Panel 6)
Computer (stylized): Activating file: hold_and_squeeze_those_big_puppies.exe
(She touches her lips in contemplation.)
(Panel 7)
(Two holographic dogs appear — Oso the Pug and Digby the Dachshund from the ‘Sheldon’ comic strip— to a now overjoyed Muskiday, who grabs and cuddles them gleefully.)
Holo-Clone Miss Match: Well… I AM proud of you!
Alt Text
Comic strip featuring Holo-Clone Miss Match (a holographic clone of Miss Match) and Dr. Muskiday (a small, humanoid fly in a lab coat) having a humorous interaction. Miss Match tells Muskiday she’s proud of him. She sprays Dr. Muskiday’s “Project: SMILE” mist onto her chest with a “Pft Pft Pft.” It fails to trigger the expected results. She insists that her admiration has increased by 25% even though it’s not indicated by the mist. Muskiday sighs, saying he knows because he wrote her approval algorithm. Detecting his disappointment, Muskiday’s computer initiates an “emotional buoyancy protocol,” executing a file named “hold_and_squeeze_those_big_puppies.exe.” Two holographic dogs appear — Oso the Pug and Digby the Dachshund from the ‘Sheldon’ comic strip — to a now overjoyed Muskiday, who grabs and cuddles them gleefully. The dogs cameo from the "Sheldon" comic strip to promote Dave Kellett’s Kickstarter book, "Double Dog Dare," available at doubledogbook.com
Wonder Woman creator William Moulton Marston
Remember when I
complained that a story about the history of Wonder Woman in the The
Philadelphia Daily News lacked any mention of the pervading themes of
bondage?Check out this fascinating piece by Charles Lyons, contributing writer for
ComicBookResources:
She wasn’t jettisoned from a doomed planet, she didn’t witness the brutal murder of her parents, and she was never injected with radioactive venom, but the true story of Wonder Woman’s origin is one of the strangest and most fascinating of any superhero…
…Wonder Woman’s creator was William Moulton Marston, a Harvard-educated psychologist, lawyer and provocateur who invented a precursor of the modern polygraph (the likely inspiration for Wonder Woman’s lie-detecting lasso)…
As he told interviewer Olive Richard in the August 14, 1942 “Family Circle,” “Wonder Woman satisfies the subconscious, elaborately disguised desire of males to be mastered by a woman who loves them.”
But Marston was intent on more than merely fulfilling the fantasies of his male readers. In a letter to comics historian Coulton Waugh, he wrote, “Frankly, Wonder Woman is psychological propaganda for the new type of woman who should, I believe, rule the world.” Marston believed that submission to “loving authority” was the key to overcoming mankind’s violent urges, and that strong, self-realized women were the hope for a better future. Wonder Woman was very consciously Marston’s means of spreading these notions to impressionable young minds.
With this unusual brand of feminism as his stated aim, Marston filled his stories with bondage (both male and female), spanking, sorority initiation rituals, cross-dressing, infantilism, and playful domination. Armies of slave girls were everywhere, and hardly an issue went by without a full-body panel of Wonder Woman bound from head to toe. In “Sensation Comics” #35 (November 1944) Wonder Woman even lets slip that rope bondage was a popular pastime back home.Read more.The excerpts don’t do it justice. This is one engaging, well-written piece on a fascinating subject.
