Here's a closer look at the Evil Inc emails...

“It’s good ta be da king…”
While watching Mel Brooks: The 99-Year-Old Man, three things jumped out at me and immediately elbowed their way into my creative psyche.
First: Fear. Or rather, the systematic, professional-grade obliteration of fear. Again and again, the documentary circles back to how much of Mel Brooks’ creative power came from refusing to be intimidated — by authority, by convention, by “good taste,” or by the quiet little voice that says don’t do that, people might judge you. That hit me right in the gut.
If fear is the tax we all pay for wanting to make things, Brooks just… stopped paying it.

Second: as the Zoomers would say, that man was horny on main.

I rewatched History of the World, Part I last night, and wow — no easing into it. From cavemen masturbating in the opening moments to wall-to-wall boob jokes, dick jokes, and lust as a driving historical force, the movie commits early and never lets up. It’s joyful. It’s shameless. It’s aggressively adolescent in the best possible way.
And as the World's Okayest Smut Dad, I found it deeply affirming. There’s something comforting about realizing that one of the most celebrated comedy legends of all time built his empire by saying, “Yes, but what if we made it dirtier?”
Third (and finally): whatever happened to Mary-Margaret Humes?
Va-va-va voom. That is all.
Taken together, it’s a reminder I didn’t know I needed: Fear is optional. Horniness is timeless. And comedy works best when it’s unembarrassed about what it loves.
Which is… honestly a pretty solid Evil Inc mission statement when you think about it.
Transcript
Panel 1
Caption (yellow box):
The next day…
Dr. Muskiday (entering the nearly empty office, which is empty, speaking):
Where is everybody?!
Didn’t they get my email??
Panel 2
Giant Tess (holding up a red book):
Here’s a guide to proper terminology in the workplace.
You’ll want to read it.
Panel 3
Giant Tess, continues in a narration box:
“Desi and ‘Dragon’ took one look at the subject line and got exactly the wrong idea.”
Inset image below narration:
An email inbox is shown with the subject line highlighted:
All-hands meeting — NOW!!
Other visible email subjects include:
- “Reminder: It’s Casual Fridays, Not ‘Casualty’”
- “Who Keeps Feeding the Lava Lamp?”
- “RE: Are Monologues Considered Testimony?”
- “Janitor’s Closet…?”
- “Re: Re: Re: Stop Replying All”
Panel 4
Giant Tess’ narration (yellow box):
“When I caught them, I told them to beat it.”
Giant Tess (pointing angrily):
(No dialogue)
Desdemona and Iron Dragon are caught mid-makeout on the floor.
Panel 5
Giant Tess:
I’ll… um… need that book after you’re finished with it.
DETAILED ALT TEXT
A five-panel comic set inside the Evil Inc corporate office.
Panel 1:
A yellow narration box reads “THE NEXT DAY…”. A wide shot of an empty open-plan office filled with gray cubicles, rolling office chairs, desktop computers, and filing cabinets. Dr. Muskiday — a short, fly creature in a lab jacket — walks into a nearly empty office. Giant Tess is standing there, looking annoyed. Dr. Musiday says, “WHERE IS EVERYBODY?!” followed by “DIDN’T THEY GET MY EMAIL??”
Panel 2:
A closer shot of Giant Tess holding up a red paperback book titled “Evil Inc. Style & Speech Guide.” Dr. Muskiday’s large compound eyes peer up from the bottom of the panel. Tess calmly explains, “HERE’S A GUIDE TO PROPER TERMINOLOGY IN THE WORKPLACE. YOU’LL WANT TO READ IT.”
Panel 3:
Giant Tess’ dialogue is continued in a yellow narration box: “DESI AND ‘DRAGON’ TOOK ONE LOOK AT THE SUBJECT LINE AND GOT EXACTLY THE WRONG IDEA.”
Below is a close-up of an email inbox. The highlighted message reads: “ALL-HANDS MEETING — NOW!!” Other humorous subject lines fill the inbox, including reminders about Casual Fridays, questions about lava lamps, legal monologues, janitor’s closets, and an email chain titled “Re: Re: Re: Stop Replying All.”
Panel 4:
Another yellow narration box continues Giant Tess’ dialogue: “WHEN I CAUGHT THEM, I TOLD THEM TO BEAT IT.”
The scene shows Giant Tess pointing angrily at two coworkers on the office floor between cubicles. Desdemona, a red-skinned devil woman with small horns and a curvy build, is sitting in Iron Dragon’s lap. Iron Dragon, a muscular man in dark clothing with dragon-themed elements, has his arms around her. They are clearly caught mid-makeout and look startled and embarrassed.
Panel 5:
Giant Tess stands with Dr. Muskiday beside her, who is now holding the red Evil Inc. Style & Speech Guide. Tess looks awkward and thoughtful, one finger raised to her chin, as she says, “I’LL… UM… NEED THAT BOOK AFTER YOU’RE FINISHED WITH IT.”

It’s hard to believe, but the kids are almost out of school and
Philadelphia Comic Con is just around the corner! It kicks off Thursday, June 19, and goes through Sunday, June 22. That’s the weekend after this one!
As you may have noticed, I’ve cut waaaaay back on my convention appearances. Aside from Emerald City Comicon in Seattle and (possibly) Baltimore Comic Con, this is the only convention I have on my schedule at this point.
If you’re coming out to the show, here’s how you can find me. I’ll be directly across from one of my all-time heroes,
Neal Adams!

The good news is that I’ve got a ton of great stuff lined up for that weekend — books, panels, consultation opportunities, and more!
Books

Unfortunately, the eighth Evil Inc graphic novel will not be available in time for the show (in fact, the
Kickstarter to fund the book will be wrapping up right around the start of the convention). However, this is a great chance to pick up my new tutorial,
The Webcomics Handbook. In fact, you can get your hands on one of the
limited-edition hardcovers that aren’t available in stores or online.
Either way, it’s a great opportunity to pick up a book that covers webcomics — art, business and beyond — from the top down.
And, of course, if you don’t have the earlier
Evil Inc graphic novels, this is a good time to pick them up, have me sign ’em and do a personalized sketch for you.
I’ll also have copies of some of my other books there — like
Phables, a collection of comics about everyday life in Philadelphia.
Original Art
I’ll have a bunch of Evil Inc originals on hand as well. If you have a favorite strip, please drop me a line and let me know so I can have it available for you to look at. These originals are done with black archival ink on heavy bristol board, and the blue pencil sketch is still visible under the final art. They really do look good when people mat-and-frame them. Many an outhouse wall have been significantly spruced, I’m telling ya.
Commissions
If you’ve seen me at conventions, you know the deal. You can get on my commission list at the show and I’ll do a personalized piece of art just for you. $20 for a single figure (little or no background), and $40 for a completed piece. However, if you buy a book, I’ll do a headshot sketch inside the book at no charge whatsoever.
Comics Consultation
As I’ve done in the past, I’ll take a small number of scheduled consultation sessions. This is similar to the Skype sessions that I offer. In fact,
I’ll have you use the very same online form to pay for and schedule the session. You will receive a complimentary copy of
The Webcomics Handbook (the limited-edition hardcover that sells for $50) when you show up for your consultation. Once you’ve signed up, I’ll get in touch and we’ll schedule the best time for you to come over for your one-on-one consultation. I usually host these sessions at my booth — since we’ll have a little elbow room there — but I’m more than happy to accommodate any special requests you might have.
If you have any questions or concerns, please don’t hesitate to get in touch.
Panels
I’ll be hosting three tremendous panels during the convention.
Webcomics Roundtable
Friday, June 20
5:30-6:15PM
Room 109
The world of webcomics has undergone its biggest upheaval since its inception. From the new ComiXology app to Net Neutrality, from Kickstarter to Patreon, there’s an awful lot to keep track of. Webcomics veteran Brad Guigar gathers a roundtable of webcomics notables to talk about these questions and much much more!
Webcomics 101
Saturday,June 21
1:30-2:15PM
Room 105
Wanna start a webcomic? Sure. We all do. But where to start. Brad Guigar, author of “The Webcomics Handbook,” — the popular sequel to “How To Make Webcomics” — takes you on a step-by-step tutorial of setting up a site, using social media for promotion, and making money from your work.
Patreon Primer
Sunday, June 22
3:00-3:45PM
Room 109
Patreon has become the most significant force in comics crowdfunding since Kickstarter. Webcomics veteran Brad Guigar leads a guide to using Patreon successfully to fund your comics business.