Chapter 17, Page 24a: Impossible to Choose

Captain Heroic has a showdown with Countess Influencia, but the former waitress isn't interested in going back to the diner — and she certainly isn't hearing his excuses! She has the city at her feet, and in her book, that's a win!

Fairmount City's top hero sees it differently. There's a big difference between trending and mattering. The Countess may be impossible to ignore... but that also makes her impossible to choose.

Cartoonist Showcase

If you're in the Columbus area, make plans to stop by the Billy Ireland Library & Museum on August 8th from 1-5 p.m. It's a free event, and I'll be there sketching and signing along with a bunch of my pals from the NCS.

Transcript

Captain Heroic faces Countess Influencia (formerly Hailey the waitress)

Panel 1:

Captain Heroic: You don’t have to do this! Come back to Ralph’s and —

Hailey: Oh! NOW you want to talk to me in the diner!

Panel 2:

Captain Heroic: Hailey, I stopped making content with you because I didn’t want to be part of using you for “likes.”

Panel 3:

Hailey: Problem solved. Now I’m using THEM for likes.

Panel 4:

Hailey: Everyone is watching me — praising me! I’m impossible to ignore!

Panel 5:

Captain: And that means you’re impossible to choose.

Hoodwinked

I have a real bone to pick with the people who marketed the computer-animated feature Hoodwinked . They had me convinced I was going to hate the movie.

We ended up renting it over the weekend for Movie Night, and I roared from start to finish.

See, the trailer made it look like some kind of action flick in which the main characters from the Red-Riding-Hood story team-up to do battle in some kind of James Bond adventure. Turns out, this is the Brothers Grimm meets Law and Order. Furry and feathered cops from the animal world investigate a domestic disturbance at Granny’s cottage, involving a girl, a wolf, and an axe. The charges are many: breaking and entering, disturbing the peace, intent to eat, etc. After seeing the story from Red’s point of view, the story is re-told for the cops by each participant — the girl, the wolf, Grandma, and the Woodsman.

Of course, in each re-telling we learn a little more and thing we saw in Red’s version are seen in a new light or explained in a bizarre way. It’s really done in a clever way.

That alone would have gotten me into the movie theater, but then it came time for the wolf’s story and I was about to go from enjoyment to fandom. The wolf, wearing an old, hooded sweatshirt and a Lakers jersey, is a dead-on homage to the title character in the classic 80s comedy, Fletch.

And it’s done perfectly! The Harold Faltermeyer music in the background, the disguises, the razor-sharp dialogue as the Wolf goes undercover. Absolutely beautiful. My only quibble was that Patrick Warburton’s voice was too deep and menacing to pull off the trademark Fletch banter. Warburton does deadpan to a “T,” but Chevy Chase gave it that extra sarcastic bite that made it truly identifiable.

It was a much needed fix for this hardcore Fletch fan. I’ve been holding out hope that someday Kevin Smith will get around to doing that coveted third Fletch. movie, but I know not to get too optimistic. ‘Till then, I’ll have this gem.