Chapter 17, Page 22a: Emotional Smorgasbord

HoloClone Miss Match races to Dr. Muskiday’s rescue with the one weapon the macronanoes never saw coming: an outrageously dramatic declaration of love. The macronanoes quickly discover a much more tempting emotional smorgasbord.


New eComic: The Best of Cassie Cruz

A new Tales from the Evil Inc After Dark Archive eComic is now available: The Best of Cassie Cruz.

This 27-page collection gathers some of the best appearances of Cassie Cruz, one of my favorite characters to write and draw. Patreon backers have already received a free copy as part of their membership.

If you’d like a copy, you can get yours here: https://go.evil-inc.net/Best-of-Cassie

Cassie brings exactly the kind of energy Evil Inc After Dark was built for: confident, chaotic, dangerous, and more than a little likely to make a bad decision feel like a very good idea.


Transcript

Panel 1:

Dr. Muskiday is completely under the control of the macronanoes.

(from off panel) HoloClone Miss Match: My sweet baboo! What have they DONE to you!

Panel 2:

Holoclone Miss Match runs onto the scene.

HoloClone Miss Match: I never had the chance to tell you my true feelings — to express what has been buried deep inside me!

Panel 3:

HoloClone Miss Match: (with a slight eyeroll) You know… without the massage oils and putting the lab in ‘privacy mode.’

Panel 4:

HoloClone Miss Match:I love you, Dr. Phineas Muskiday! I always have!

Panel 5:

The macronanoes start to break up from around Dr. Musikday’s head.

Macronano 1: Hey! What’s THIS?!?

Macronano 2: We’re wasting time with these sad, little scraps…

Panel 6:

The macronanoes surround HoloClone Miss Match

Macronano 2:  …when there’s a smorgasbord standing right here!

Alt text

Six-panel Evil Inc comic. Panel 1: Exterior of the Evil Inc Fairmount offices. Inside, Dr. Muskiday is completely covered and controlled by a cloud of macronanoes. From off-panel, HoloClone Miss Match cries, “My sweet baboo! What have they DONE to you?!” Panel 2: HoloClone Miss Match runs into the lab with her hands dramatically pressed to her face. She says, “I never had a chance to tell you my true feelings — to express what has been buried deep inside me!” Panel 3: Close-up of HoloClone Miss Match giving a slight eye roll and shrugging as she adds, “You know… without the massage oils and putting the lab in ‘privacy mode.’” Panel 4: She drops to one knee and reaches toward the cloud-covered doctor, declaring, “I love you, Doctor Phineas Muskiday! I always have!” Panel 5: The macronanoes begin breaking apart and drifting away from Dr. Muskiday’s head. One exclaims, “Hey! What’s THIS?!” Another says, “We’re wasting time with these sad, little scraps…” HoloClone Miss Match watches nervously from the floor. Panel 6: The grinning macronanoes surround HoloClone Miss Match as one finishes, “…when there’s a smorgasbord standing right here!” She ducks and shields her head while the creatures close in.

Buy “Stripped” today!

feature-posterMy friends Dave Kellett and Fred Schroeder have an event today (no foolin’), and I want you to participate. Go to http://www.strippedfilm.com/ for details, but here are the highlights: We’re going to do a big push to tell people to make their purchase today. We want to give this movie a big push to get it wide recognition. We’re going to try to get as much notoriety for the movie as possible by making it #1 on iTunes. And we can do it if we act together. Here’s the link to get it from iTunes. Here’s the first five minutes of the film. Folks, Kellett and Schroeder have made what will undoubtedly become the finest documentary on the art of cartooning ever. This goes waaaaaaay beyond “Print vs. Web.” This is a sensitive, moving, endearing, warm all-encompassing look at cartooning from several different perspectives. Heck, I’m even in it! It shows people who couldn’t possibly have anything at all in common all telling remarkably similar stories about their passion for the craft. It talks about the very nature of creativity. It talks about thunderous successes and heartbreaking failures. But mostly, it talks about cartoonists and their burning need to make comics. But, listen… don’t take my word for it. All you need to know is this: Bill Watterson drew his first public cartoon since the last Calvin and Hobbes to promote this movie. Can you imagine how many offers he’s had in all those (almost 20) years?! — how many good causes… fun projects… deserving people? He quietly said no to them. And he said Yes to “Stripped.” If that doesn’t make you ache to own this film, then I got nothing. You’re going to watch this movie once and then sit there in quiet awe as the credits roll. And then you’re going to listen to it over and over and over in the background as you pencil or ink or sketch or wash dishes or… well, you get the point. This movie goes beyond good… it’s important. You’ll never look at your drawing board / Cintiq / sketchbook the same again.