
This is going to be so much fun! Dave Kellett and I will be Drawing Anything with our friend Jason Chatfield at 3 p.m. eastern time today. Join us!
https://open.substack.com/live-stream/139523?r=12wah&utm_medium=ios
In and Out of Trouble
When Lightning Lady says she’s thinking about “In and Out,” she’s definitely not talking about burgers. Unfortunately, Angus the Minotaur is still stuck on the food angle — and it’s making for one very awkward (and unintentionally revealing) conversation about what she really wants tonight.
Transcript
Panel 1:
Angus (off-panel, shouting): “Hamburgers?! You want to go out for HAMBURGERS?!?”
Panel 2:
Lightning Lady: “HEY! You just said I don’t have to hide my feelings from you!”
Angus: “Tell me what you wanna do tonight, and I promise not to judge.”
Lightning Lady: “Ok… ok…”
Panel 3:
(Emotion bubble above Lightning Lady shows a Big Boy mascot holding burgers.)
Angus looks concerned.
Panel 4:
(Emotion bubble changes to a Steak ’n Shake logo.)
Angus facepalms.
Panel 5:
Angus: “Gods. You are NOT making this easy.”
Angus: “I don’t like the food at any of those places.”
Panel 6:
Lightning Lady: “I, um… stopped thinking about food three clouds ago.”
(Emotion bubble shows an In-N-Out sign.)
Angus is taken aback.
Alt Text
A six-panel comic featuring Lightning Lady, a blonde superhero in a blue-and-yellow costume, and her boyfriend Angus, a muscular minotaur wearing a white apron. Angus reacts loudly when she suggests hamburgers. She reminds him he said she could be honest, and he encourages her to share what she wants without judgment. As she hesitates, thought bubbles show fast food options like Jack in the Box, Steak ’n Shake, and In-N-Out. Angus grows increasingly stressed, facepalming and admitting he dislikes those places. In the final panel, Lightning Lady claims she stopped thinking about food while still gesturing, with a thought bubble indicating otherwise, as Angus is taken aback.
The LA Times has an excellent
story about the future of the comic strip, as seen by the likes of Berke Breathed, Cathy Guisewite, and Wiley Miller. They are appearing at a panel discussion in LA on Sunday.
I can’t say it better than Mr. Breathed: “
‘I don’t think you’ll ever see another ‘Calvin & Hobbes,’ ‘Bloom County’ or ‘Doonesbury’ again,’ says Breathed, 48, who received the Pulitzer Prize for editorial cartooning in 1987. ‘The popularity of those strips was built on a young audience great comic strips are not built on the backs of aging readers.’
“Part of the problem, Breathed and other cartoonists say, is that newspapers, when choosing their comic strip lineup, put too much emphasis on the opinions of aging readers. As a result, stalwart strips such as ‘Peanuts,’ which continues to run as a reprint since the death of Charles M. Schulz in 2000, and ‘Blondie,’ which was created in 1930 by Chic Young, tend to remain entrenched on comics pages.
“As middle-of-the-road as ‘Blondie’ is, it’s surprising to learn that it has come to represent a divisive topic in the comic strip community. Young passed away in 1973, and since then ‘Blondie’ has been carried on by his son, Dean, and is known as an example of a ‘legacy’ strip.
“‘As an art form, comics are threatened by legacy strips,’ Breathed says. ‘The fact that papers are running [legacy strips] throughout the country is a sign that they’re desperate to cling to the readers they think they need, and they’re afraid to take risks and find the new talent.’”
To complete the vicious cycle, syndicates gauge the timidity of newspaper editors, and as a result, choose only the blandest offerings to syndicate.
That means even the bravest newspaper editor has a watered-down selection to choose from if he or she actually wants to find some new talent for the comics page.
In response, Denise Joyce, president of the American Association of Sunday and Feature Editors, “
says that while comics are not the huge player they used to be 20 or 30 years ago, they are definitely on the minds of features editors.”
“Regarding legacy strips, Joyce admits it’s difficult to replace them without making their fans angry. As a compromise, Joyce says her paper is running some comics online and Web-linking to others.”
Of course, once their newspaper readers discover comics published on the Web, they’re bound to discover a much wider world of comics that aren’t available in their newspapers, aren’t they? Comics that are neither watered-down nor timid.
So, in a way, people like me are indebted to the myopia of people like Ms. Joyce.
You keep sending them, Ms. Joyce, and I’ll keep keeping them.
Read the whole story.