Fairmount City has faced plenty of supervillains before. But this may be its first livestreaming supervillain.
After losing her brief burst of social-media stardom, Hailey re-emerges with a new look, a new name, and a dangerous new relationship with engagement metrics. Now she is Countess Influencia — the Validation Vampire — and every heart, like, and notification seems to make her stronger.
Fairmount News Network tries to cover the attack, but even the news crew can’t stop checking her feed. As hearts start streaming from phones across the city — and around the world — it becomes clear that this crime spree is no longer just a local story.
The world has met Countess Influencia.
And she would very much like you to smash that “Like” button.
Transcript
Panel 1
At the Fairmount News Network studio. Someone off panel whispers, “Psst! Ms. Takahaski! You’re on the air!” Hana Takahaski looks up from her smartphone and says, “Oh! Umm… We’ve got breaking news!”
Panel 2
Hana says, “We’re getting live reports of an attack on the downtown area.” A stream of hearts begins floating from her phone.
Panel 3
The scene widens. Hana is still on her phone. The cameraman is also on his phone. Streams of hearts flow from both phones and from other unseen people in the studio. Hana says, “She may be the first supervillain to livestream her own crime spree! Moreover…” Then, distracted by her phone, she says, “Hold on…” Her phone displays the text: “YAS, Queen!”
Panel 4 (inset)
Exterior view of the Fairmount News Network building. Several streams of hearts flow outward from inside the building and from the street below. Hana says, “Moreover, while Fairmount City is her current target, she has already taken the whole WORLD by storm!”
Panel 5
Hailey, now transformed into Countess Influencia, floats above the city as streams of hearts flow directly into her body. She says, “Look upon Countess Influencia and despair!” Then, in smaller type: “And don’t forget to smash that ‘Like’ button and subscribe!”
Alt text
A five-panel Evil Inc comic introduces Hailey’s new supervillain persona, Countess Influencia. At Fairmount News Network, anchor Hana Takahaski is caught looking at her phone just as she goes on the air with breaking news about an attack downtown. As she reports, red heart icons begin floating from her phone. The scene widens to show the cameraman and others in the studio also absorbed by their phones, with streams of hearts flowing upward. Hana reports that the villain may be the first supervillain to livestream her own crime spree, then gets distracted by a message reading, “YAS, Queen!” Outside the Fairmount News Network building, heart streams pour from the building and the street below. In the final panel, Hailey floats above the city in her new vampire-inspired outfit as Countess Influencia. Streams of hearts flow into her body as she declares, “Look upon Countess Influencia and despair!” She adds, “And don’t forget to smash that ‘Like’ button and subscribe!”
DC is ending the
Plastic Man title, written and illustrated by Kyle Baker, with issue 20. I have mixed emotions about this. Plas is my
favorite super-hero. Numero Uno. I agree with Batman’s assertion that he is the one of the most powerful beings in the DC universe (if not
the most powerful).
And the most poorly handed character in modern comics. Bar none.
I was overjoyed to see Plas get his own title. I was even prepared to give the overly cartoony approach a fair shot. I devoured the first three issues. But each issue after that seemed more phoned-in than that. It’s not that I have a problem with digital art — far from it — but I can only stomache so many cloned images in a product like this.
And before you misinterpret that, let me make it clear, I’m not slamming digital artists, but the difference between Baker’s work in
Plastic Man and, say, Greg Dean’s work in
Real Life is tremendous. Dean uses his computer to push boundaries. Baker used his to push deadlines.
It was this kind of lack of effort that lead to the demise of the title. And that’s a real shame. It’s a shame because Ty Templeton, a writer who really
gets Plas, as evidenced in 1999’s
JLA Presents Plastic Man, could have made that title soar. Go to your comic shop’s quarter bins and check it out. Look at the gorgeous illustrations by Aaron Lopresti and Richard Pace. No copy-and-paste crap here, fanboys and fangirls… these guys made the
effort. These guys love Plastic Man the way
I love Plastic Man.
And it’s a crying freaking shame that they never got the chance to take the reigns of the title as it became evident that Baker had long since lost interest.
